DJ Rosamii—DJ, community builder, and founder of Bloom Haus Creative Group—found her calling through rebellion and rediscovery. Moving to Memphis in 2020, she stumbled into the local music scene while DJing for a boyfriend's show, quickly realizing she'd been hiding her true musical tastes from strict parents who wanted her to be a doctor or lawyer. What started as sneaking hip-hop past parental censors evolved into a full embrace of house and electronic music that made her want to dance all night in her room. Her confidence came from teenage angst and refusing to accept how people treated her—deciding early on to instill self-worth she couldn't ask others to provide. Now she reads crowds like a psychic, eavesdropping on conversations to sense the energy, building Memphis' most supportive DJ community while dreaming of creating touring black electronic festivals that reclaim the space her community originally built.

Micah McGee, known as Strooly, began his musical journey in a family of artists and musicians. His earliest memories include playing piano at his grandparents' house at age four, fascinated by harmonies and rhythms. Growing up around painters, illustrators, and screen printers instilled a DIY creative mentality that influenced his approach to art. Though he learned multiple instruments by ear (piano, guitar, drums, cello, and stand-up bass), his transition to electronic music production happened in college when limited space made traditional instruments impractical. After moving to Memphis in 2010, he joined a collective of DJs and producers called Voodoo Village, gaining experience in the backend of running a label. This eventually led to co-founding Future-Everything with his partner Anthony Carter, creating what he describes as "a living museum" for artists he believes in, focusing on music that evokes strong mental imagery and emotional narratives.